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Torvill and Dean were the first to combine lifting into the performance; their lifts were famous for their strategic timing and economical use of their bodies (usually in conjunction with the other skater). Their lifts are controlled by movements of the knees, and not the legs. Torvill and Dean got their nickname due to their choice of dress, and the names for the lifts directly relate to that. At the time of their 1982 world championship performance they wore a pair of faded levis and red and blue t-shirts, and at their 1984 world title they wore a pair of tight, long-sleeved white shirts, with shredded sleeves which they extended to lift their turns. According to their friend Alec Tarry, Torvill said they first named these lifts in the early 1980s: "The lifts were 8, 9,10 and 11 in Torvill & Dean as in the dance, and then the lifts became the lifts of the lifts because Torvill & Dean were all linked to lifts, like 1,2,3,4. But then we got to know the lifts better and learned that many lifts are not lifts at all, they are just funny grunts." John McFall says they named the lifts 8 1/2, 8 3/4, 9 1/2 and 9 2/4 because they were the best lifts of the best lifts. Edward Noble says in his book Towers of Gold: The Story of Ice Dancing the lifts are named 4,5,6,7,8,9,10 and 11.

Everyone likes to win and leave a lasting impression on the world, and Torvill & Dean did just that. They epitomise such a type, and their skating has graced the program covers of many hit singles, including "What I Like About You" by The Romantics, "Blame It on Rio" by Berlin, "Up Shipton Way" by The Thompson Twins, "Moving In Stereo" by The Pretenders and "Tingles" by R.E.M. d2c66b5586